Monday, March 7, 2011

Developing Falsetto Voice

How to Sing Falsetto?

So you need to develop your falsetto voice. If you are male, fine. If you're female, you don't need to except you have to play a lead role in a musical theater production.

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Presently what is falsetto? Falsetto is a directly, breathy tone on high notes. Think of it as pure head voice, without few vibrato or chest sound at all. A good example most people have heard is a boy soprano. Women can achieve the sound without much difficulty once they learn to use their upper resonance. So, ladies, you don't have to read any further if you don't need to.

Falsetto is so named because it was once believed to be developed by the false vocal folds of the larynx. Modern laryngoscopy displayed that it is in fact produced by the true vocal folds. When singing in falsetto the vocal folds are thinned, stretched, and elongated so that they vibrate only at the margins. They don't fully close, which delivers the breathy quality.
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It is difficult to control dynamic changes (softness and loudness) on constant notes when singing falsetto, because of the inefficient use of the vocal folds. Falsetto can be useful when you're learning to use your head voice and upper resonance, but when you have learned that you should use it usually instead of falsetto.

If after reading the above you're still motivated to develop falsetto, here is how to do it.

Start with a good warm-up routine, and ensure you're using great posture and breath support. Try to imitate the sound of a boy soprano. Listen to a few recordings to get the idea of the tone you're striving to produce.

Pick a pitch in the upper part of your range. On a hum, coast from your starting pitch up a fifth and back down: act upon. Keep your tone light and hoot. Try similar pitches on "nee" and "nah". Then, move up a half-step and do again the fifth slide up and down, again on the hum, "nee", and "nah". Keep on moving upward as far as you can without pressure.

All through the exercises, have your face and mouth relaxed and free of tension.

If you want to sing the high range with power and dynamics and you're not a natural tenor, you may bemore comfortable to have the song transposed to a lower key. If you can't develop the range without falsetto, maybe you just shouldn't be singing that range.

Falsetto can be used occasionally for artistic effect in some songs, but it's not healthy to generate a habit of it.